Final Destination: Bloodlines has taken the cinematic world by storm, achieving remarkable success at the box office and garnering the highest critical accolades in the franchise’s storied history. This latest entry represents not just a resurgence for the series but also encapsulates a tumultuous 30-year evolution marked by highs and lows. Producer Craig Perry did not hold back when he pinpointed The Final Destination as the franchise’s nadir.
In a revealing passage from Clark Collis’s upcoming book, Screaming and Conjuring: The Resurrection and Unstoppable Rise of the Modern Horror Movie, Perry reflects on his initial skepticism about the series’ longevity, expressing his belief that The Final Destination would signal an end. Ironically, it emerged as the highest-grossing film of its time—an achievement that Bloodlines is poised to eclipse, setting the stage for more sequels. As Perry noted, “I thought we were done. Then, lo and behold, opening weekend arrives, and we’re like, ‘Uh, okay, here we go.’ To be honest, I don’t think the fourth one stands up—actually, it’s quite poor. But its success allowed us to seek redemption with the fifth one.”
Many enthusiasts resonate with Perry’s candid views; The Final Destination often drew criticism for its chaotic delivery and lack of memorable characters. Yet, the film’s shortcomings did not herald the demise of this beloved franchise.
“The latest offering from New Line Cinema plunges audiences back into the origins of Death’s twisted vendetta,” reads the gripping synopsis for Final Destination: Bloodlines. “Haunted by an unsettling recurring nightmare, college student Stefanie embarks on a quest to locate the one person who may liberate her family from the horrific destinies that loom above them.” This film is bolstered by a compelling cast, featuring Kaitlyn Santa Juana, Teo Briones, Richard Harmon, Owen Patrick Joyner, Anna Lore, Brec Bassinger, and the late Tony Todd.
Tyler Nichols, our reviewer, found redeeming qualities in Bloodlines, yet he was cautious in his praise. “The series thrives on tension, yet the attempt to decipher death’s designs feels somewhat forced,” he commented. “Moreover, referring to death as a ‘he’ makes it feel too anthropomorphized. Still, the film serves up a dazzling array of kills, some of which may rank among the best in the franchise. Yes, that’s a bold assertion, but I stand behind it.” For his full review, click here.
Do you agree with Perry’s assessment of the weakest entry in the Final Destination series? Join our poll to discover which installment reigns supreme right here.
